Sony har jag tittat n del på ,vad jag kan se så skiljer det bara pixelantalet mellan 300/350 så 300 är en av de kamerorna jag själv funderat på.
Hur ser ni på att ha bildstabilisationen i huset kontra objektivet. Sony väger ju inte så mkt och objektiven bör ju då bli lättare så det bär ju göra det smidigare att ta med ut i skog och mark.
Annica
Jag skulole tagit A300 pga att den är billigare än 350n Men 350 är tydligen lite unik.
http://www.photoclub...ich-sony-alpha/Citat från bla en Nikon D300 user som skaffat A350n:
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Citat 3 från Dyxum:
"This is the Minolta 100-200mm f/4.5. Truly an impressive lens. Sure, there's more CA than the comparable Nikkor in this focal range (70-200mm AF-S f/2.8), but this is reasonably easy to correct in processing. Other than CA, I don't worry about anything when shooting with this lens. When I compare color, tonality, etc., I simply fill my monitor (fit to screen) with the images because 100% viewing is nearly worthless for this type of comparison. Rarely, I'll print a couple images at 8X10 for this same purpose and again, the Minolta shines. When I compare sharpness, I compare at 75% and 100% on my monitor. The Nikkor is slightly sharper at certain apertures, but not enough that it makes an obvious difference in LCD viewing, printing, or in the eyes of my clients. In other words, I sacrifice a little sharpness for the improved color, contrast, and quality of tonal gradations that I get from the Minolta. There is, after all, a sharpening button in Lightroom, but there is most certainly not a Minolta button in Lightroom. Just FYI, I'm a ten-year Nikon user and I still shoot with Nikon.
Citat 4 från Dyxum:
"I currently shoot with the Nikon D300 and Sony A350, side by side. I use high-end Nikkor glass, no consumer lenses. I also shoot with the Sony A700, but I prefer the images I'm getting from the A350. I publish my photos in various media, so quality is important. At the end of the day, I'm always excited to see my shots from my D300 because I know they're going to be very good, at least in terms of the technical aspects of image quality. Assuming, of course, my dead battery syndrome hasn't rendered my D300 inoperable. At the end of the day, I'm hopeful that my A350 photos are going to turn out okay, and shooting with a 20-year old $80 Minolta lens makes me a little nervous. This is despite the fact I've never had a failure from this consumer camera. When I pull up the photos side by side on my desktop, my jaw always drops. My cheap Sony setup has a tendency to leave my expensive Nikon setup feeling very flat in terms of tonality, dynamic range, contrast, color rendition, etc. Sure, the D300 has noticeably lower noise at high ISO (and is very similar to the D700 in that regard), but I try to stay away from high ISOs regardless. My colleagues do the same. Is the D700 going to make you a better photographer? Absolutely not. If you need high fps or really good high ISO performance, then it might be something to consider. But do your research first - go to the camera store, take some shots with the Nikon, get to know the feel of the camera, and compare your images to your Sony shots before you jump ship. You might be surprised. " (slut citat)
Jon
Jon Van de Grift
Photojournalist and Educator
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